Holland Cotter, the New York Times staff art critic, published an article about the “Yoga – The Art of Transformation” exhibit at the Sackler Gallery on the DC Mall (only until January 26). He liked it:
NYTimes.com Eons Before the Yoga Mat Became Trendy
The fact is, yoga was always rational, and more so in its old, extremist forms than in its present domesticated version. How else would you characterize a spiritual discipline that directly and boldly addressed life’s most intractable problem, the persistence of suffering, and took practical, but radical steps to do something about it? To alter the rules of the existential game, it redefined the possible. What’s great about the Sackler show, apart from the pleasures of its images, is that it not only lets us see the history of that practice in action, but understand how radical it was — and is — and take that seriously.
Cotter has a good eye for revealing details and incarnate contradictions, which he sprinkles throughout his article. This was not a fly-by snapshot that he fit in between New York galleries and major artists: he saw the art and let it affect him.