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Symposium drives home message: yoga is more than vogue

Photo: entrance of museum with large banners
Freer-Sackler Gallery organized the first major exhibit of yoga-inspired art.

The second day of the “Yoga and Visual Culture: An Interdisciplinary Symposium” culminates a long process that began in the summer of 2009 when the Gallery brought together scholars for two interdisciplinary colloquia, which is a break from precedent for most Smithsonian initiatives. So in a sense, the exhibit/symposium had several exploratory discussions and then an extended period of research, planning, writing, editing, peer review and then execution of the physical display and the catalog.

Meanwhile, outside the scholarly confines of the Smithsonian Institutes, yoga as expressed in mainstream culture (North America, Europe and even newer frontiers in ¬†Asia) has been growing. In the United States, its spread has taken on the trappings of snake-oil salesmen (“Yoga can cure diabetes and bad posture!”). Among Hindus, both in India and here in the United States, there has been deepening despair that yoga has been cut loose from its historical moorings. In addition, many American yogis have had their eyes opened to the flaws in their one-dimensional vision of yoga as a 2000-year-old, immutable practice that taps into transcendental truths. Continue reading Symposium drives home message: yoga is more than vogue