Another week goes by

I wanted to write about the past month of self-​​discovery, but when­ever I sat down to write, I found that I was turn­ing the nar­ra­tive into a novel with mul­ti­ple, par­al­lel plots and got frus­trated because it was tak­ing so long to beat the opus into shape and to an end. So I’ve made a promise to keep the entries short, con­cise, some­thing that I can fin­ish in 15 minutes.

And if I get inspired, built up momen­tum and write for an hour, then so be it.

The Magazine of Yoga gets a new look

Photo: a yogini does a handstand in front of a painting of Hindu goddess

At a Desiree Rum­baugh work­shop, Thrive Yoga, 2011

Wow! One of my favorite yoga sites has just under­gone a remod­el­ing: The Mag­a­zine of Yoga has taken on a cleaner look, a more straight-​​forward orga­ni­za­tion and a splen­did use of pho­tos. I could never really under­stand what kind of site it was try­ing to be (but loved its con­tent) because it shirked the stan­dard chrono­log­i­cal order that pre­dom­i­nates on most sites and didn’t seem to fit any other mold. MoY also has under­gone a reshuf­fle of its sec­tions: Con­ver­sa­tions get top play, for good rea­son, and a pen­chant for writerly kind of articles.

I must con­fess that over the past two months, I have not had time to dig into the MoY arti­cles and inter­views, which tend to be longer than most web arti­cles, even run­ning into two parts. I don’t have time at work to steal time for read­ing a long-​​ish arti­cle, and at home my time is occu­pied with other tasks. My par­ents’ deaths have really emp­tied my life of open, reflec­tive space. I am lucky to squeeze in time for meditation.

My prob­lem is that I’m run­ning into more yoga sites that deserve more than a brief visit: Yoga Mod­ern is entic­ing; Ele­phant Jour­nal is just vibrat­ing with life; I just dis­cover YogAnony­mous a few days ago; and Carol Horton/​Books, actu­ally a Face­book site, just knocks me back with its pace and depth (her longer pieces appear on Think Body Elec­tric blog). I can barely find time to check my RSS feed, much less read every­thing on these sites. I don’t even think to go over to Yoga­Jour­nal.

How and why one writer took up yoga

Los Ange­les Times Yoga opened doors she had long ago closed – Writer and teacher Colette LaBouff Atkin­son describes how she came to her yoga prac­tice when her body seemed to be break­ing down:

But in yoga, as any­one and every­one who’s ever ben­e­fited from it will say, all kinds of things became pos­si­ble. I was there only to breathe; noth­ing to revise or make again. The yoga instruc­tor — more than one, really — would walk by me and say, “Soft face.” Some­times the teacher would put her fin­gers into my fur­rowed brow as she passed.

Too long

I can’t believe it. It’s been almost 20 days since I last made an entry in this blog. I’ve just been too busy at work and at home to put together some thoughts on my prac­tice or what I chanced across on the web related to yoga or what’s going on inside my head. It’s not because things aren’t hap­pen to me and inside me. I still find time to read (on the Metro) and expand my knowl­edge. I keep being sur­prised and engaged by what takes place in my life, but I can’t seem to find a space for reflection.

Part of this shift in atti­tude is that my 9-​​to-​​5 job keeps me busy. Now a for­mer web client has come back after a two-​​year hia­tus and has given me con­sult­ing work that I can do on my “free time.” The extra cash is extremely wel­come, indeed needed, and I enjoy accept­ing the chal­lenge of learn­ing new web devel­op­ment tools and meet­ing tar­gets. But all the effort does not leave me with a lot of energy. But it has also meant an energy invest­ment in get­ting up to speed again for doing this kind of work.

But I make a point of not giv­ing up my prac­tice — still get­ting to the stu­dio four times a week, and doing med­i­ta­tion and pranayama the other days. At this stage of my life, I know that I can­not let down my guard. I need my prac­tice to rebuild my strength, sta­mina and focus. I need to bleed off the inter­nal pres­sure that I tend to build up over time, a self-​​imposed stress that can under­mine my bal­ance and push me back into depres­sion. Ever since I left the States in 1974, I’ve put myself in sit­u­a­tions in which I worked long hours — as an Eng­lish as a sec­ond lan­guage teacher, as a jour­nal­ist, as a researcher, and as a con­sul­tant. When assign­ments falls into your lap, you have to accept the oppor­tu­nity because they may not come back again. In the old days, I would push my self to the phys­i­cal and men­tal lim­its — and even­tu­ally paid the con­se­quences. Now I have to gauge my endurance and recov­ery capac­ity and use my new life skills to man­age myself better.

Another mile­stone that I’ve passed dur­ing the last six months is that I now have to define myself as a full-​​time writer. Ever since I had my mid-​​life melt­down, I’ve had to think of myself as a pro­fes­sional who has sec­ondary skills as a writer. I was a helpdesk spe­cial­ist or a web devel­oper or an IT man­ager who used writ­ing to get the job done. Now my pri­mary job is writ­ing and edit­ing at CICAD. That shift in empha­sis may seem small, but it’s sig­nif­i­cant for me because it’s how I define myself.

Writing as a yogic practice

As part of my on-​​going reflec­tion on “How Yoga Has Changed My Life,” I have added a longer piece on how I have gained new energy in my writ­ing through apply­ing yoga. I am not say­ing that I am a bet­ter writer than I was before my yogic rebirth, just a more ener­getic, chal­lenged writer. The con­cept of tapas has clar­i­fied a lot of the mys­tery around the writ­ing process.

100 words — actually 95

The fol­low­ing para­graph is an entry for a reader-​​contributed sec­tion in the Sun­day Wash­ing­ton Post called “LIFE IS SHORT | Auto­bi­og­ra­phy as Haiku.” The instruc­tions say, “Find a way to give insight into your life in under 100 words.” It’s my favorite part of the paper and I read it reli­giously every Sun­day because the writ­ing is sur­pris­ingly good and most peo­ple “get it.”

Dur­ing my senior year at col­lege, my friends pro­voked each other, half in earnest, half mock­ing, with the ques­tion: “So, what are you going to do for the rest of your life?” The question’s immen­sity made us laugh uncom­fort­ably at our cloudy career paths. Now 33 years later, I real­ize that I missed the point com­pletely — it’s a trick ques­tion. There is no such thing as “the rest of your life.” There is only now, and if you are going to accom­plish any­thing, it has to be done in small breaths, one after the other.

Well, it’s been four weeks since I sub­mit­ted it so it must have got­ten lost among the hun­dreds of other entries. The Post just pub­lishes two a week. So I am going to post it here. When I get a seed of wis­dom, I have to share it — because it so rare.

The fourth pillar of my practice — writing

A friend recently reminded me about a book that I had pur­chased more than a decade ago — Writ­ing Down the Bones by Natalie Gold­berg. It is pub­lished by Shamb­hala Pub­li­ca­tions, a pub­lisher spe­cial­ized in Zen, Bud­dhism, spir­i­tu­al­ity, yoga and other neat things. The book has become a clas­sic, nearly one mil­lion copies in print since 1986. Gold­berg writes and teaches writ­ing with a Zen punch. She says that “writ­ing is a prac­tice,” just like medi­a­tion and yoga.

I was drawn to writ­ing a blog about my yoga life because it is part of a prac­tice for me, just as much as the asanas and pranayama. I learn, share that expe­ri­ence and refine under­stand­ing through putting words together. Writ­ing is what sets me apart from most peo­ple — I learned that in my grad­u­ate stud­ies, at work, on the web and in my life. It is how I man­i­fest gen­eros­ity and acknowl­edge the joy and ful­fill­ment of my daily existence.

Gol­berg explains her 25 years of med­i­ta­tion prac­tice in an arti­cle in Yoga Jour­nal. She imparts some wis­dom about med­i­tat­ing and writing:

And my final rule is this: No mat­ter how far your med­i­ta­tion diverts from the cush­ion or the chair, don’t for­get to return again and again, as much as pos­si­ble, to that immo­bile sit­ting posi­tion, where every­thing runs through you. Think of it: If a writer is a writer, she even­tu­ally, even 30 years later, must pick up a pen again and write. A Zen stu­dent, no mat­ter how much he or she chops wood or car­ries water, must return to the zafu. Each prac­tice has its one essen­tial activ­ity. For Zen, it is sit­ting. This is good. Oth­er­wise we might wan­der off, get lost for­ever, and never find the beginning.”